Download History of Modern Art (Paperback) (7th Edition)
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History of Modern Art (Paperback) (7th Edition)
Download History of Modern Art (Paperback) (7th Edition)
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Review
“This is a significant and usable text for all undergraduate students of art history, and a very good source book for graduate students. It is an excellent source book for students studying the late nineteenth to the twenty-first centuries.” - Caterina Pierre, Kingsborough Community College CUNY “It demonstrates a strong commitment to writing a history of modern art that is inclusive of women and artists of color. It is clearly written and works toward thorough consideration of a topic rather than superficial analysis. The best text for a course on Modern Art.” - Cynthia Fowler, Emmanuel College “Comprehensive, in-depth study of respective stylistic developments in history of modernism; high-quality photographic reproductions; fundamental investment in discussing objects through its own evidence; willingness of text and author(s) to adjust with the times.” - Mysoon Rizk, University of Toledo “I am pleased with the inclusion of more women and artists of color and with the context, technique and source boxes. As well, I am pleased with the increased quality of reproductions.” - Prudence Roberts, Portland Community College
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About the Author
Elizabeth C. Mansfield is Vice President for Scholarly Programs at the National Humanities Center in Research Triangle Park, North Carolina. She has taught art history at New York University and the University of the South in Sewanee, Tennessee . A scholar of modern European art and art historiography, her publications include books and articles on topics ranging from the origins of modernism to Picasso’s Demoiselles d’Avignon to the contemporary performance and body art of Orlan. Her 2007 book Too Beautiful to Picture : Zeus, Myth, and Mimesis was awarded the College Art Association’s Charles Rufus Morey book prize. The late H.H. Arnason was a distinguished art historian, educator, and museum administrator who for many years was Vice President for Art Administration of the Solomon Guggenheim Museum in New York. He began his professional life in academia, teaching at Northwestern University, University of Chicago, and the University of Hawaii. From 1947 to 1961, Arnason was Professor and Chairman of the Department of Art at the University of Minnesota.
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Product details
Series: History of Modern Art Seventh Edition (Book 7)
Paperback: 9998 pages
Publisher: Pearson; 7 edition (December 22, 2012)
Language: English
ISBN-10: 0205259472
ISBN-13: 978-0205259472
Product Dimensions:
8.7 x 1.3 x 11.5 inches
Shipping Weight: 5.6 pounds (View shipping rates and policies)
Average Customer Review:
4.3 out of 5 stars
91 customer reviews
Amazon Best Sellers Rank:
#25,433 in Books (See Top 100 in Books)
I saw this book in a museum (the High Museum of Art in Atlanta, GA) and had the chance to peruse the museum's copy (which was of the previous edition) before buying it. After just spending 15-20 minutes with it in the museum, I became convinced that it was worth the hefty price. Now, having purchased the most recent edition, I am glad I did. It is an expensive book, but worth the price, in my opinion, as it contains a wealth of information and a wealth of art.The book was originally written by H.H. Arnason, who, as the book's Preface explains, was Professor and Chairman of the University of Minnesota's Art Department from 1947 to 1961. He also held other posts and was affiliated with the Guggenheim Museum. Since Arnason passed away some time ago, recent editions of the book have been updated by Elizabeth C. Mansfield (Associate Professor of Art at NYU), who has brought the book up to the present (as recent as 2006) with sections on globalization and postcolonial theory.Both Arnason and Mansfield are clearly intelligent scholars who place the art within its historical context to help us to see what it did, where the innovations were, and what conflicts and issues were live at that time. For example, the opening chapter deals with the legal case between Ruskin and Whistler, in which Whistler sued Ruskin for libel when Ruskin defamed Whistler's painting "Nocturne in Black and Gold." The battle was over whether Whistler could charge such a large amount of money for something that, in Ruskin's eyes, was not art. The (his)story is told in a very readable way, with the painting shown, and it is a perfect and intelligent way to open the book, since a crucial issue involved in modern art is, what makes it art and who decides?I have not had time to work my way through the whole book (it is 830 pages), but I have liked very much what I have read so far. The index is handy for finding the artists one is interested in, if you don't want to wade through the book, since the chapters are organized thematically. The book may be intended for College textbook use, but I think it is definitely interesting enough to be read by anyone interested in art and painting. It's probably a bit too large and intimidating to work well as a real "introductory" book for someone who knows nothing about art or modern art (unless you have a seriously scholarly mind), but otherwise, I think it is as accessible as it can be given its size and scope, it makes for some great reading and it also passes as a good reference work. I recommend it.
Arnason goes into great detail for each art genre that existed during the 20th (and now 21st) century. It is a more engaging and explanative art history book than many others I have encountered. She writes in a fashion that is completely understandable yet very intelligent, rather than the strictly scholarly speak I have found in other volumes.
Nice overview of modern art. It's what I wanted. The particular copy I got was in good condition for an excellent price.
This is a pretty amazing treatment of the arts including photography and architecture from the late 19th century though the 20th to the early years of this century. It's not an easy read although well worth it. In addition to treatments of various works of art and artists the authors discuss their role inn the society of the time and in the larger scope of art.Janet Condino
Needed it for a class and it was helpful.
Bought for class, but really easy to read and love the photos. Nice book.
great book. Tons of info
Great book, but absurdly heavy. I guess that's the tradeoff for a durable book.
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